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Robert Reich argues that in terms of economic recovery, there's no going back to our old ways. Richard Florida suggests that a recession is the perfect time to reset current strategies. Paul Romer declared, "a crisis is a terrible this to waste." It's now clear that in order to survive, arts orgs will need to embrace new models of fundraising and art-making. Our question: in what ways might the North American theatre use the current economic crisis as an opportunity for a kind of "reset?"
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