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(As a PS, Fractured Atlas is worth checking out for lots of other stuff unrelated to this project. Add it to your list!)
Robert Reich argues that in terms of economic recovery, there's no going back to our old ways. Richard Florida suggests that a recession is the perfect time to reset current strategies. Paul Romer declared, "a crisis is a terrible this to waste." It's now clear that in order to survive, arts orgs will need to embrace new models of fundraising and art-making. Our question: in what ways might the North American theatre use the current economic crisis as an opportunity for a kind of "reset?"
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