Thursday, May 21, 2009
Monroe Journal's "Promises and Perils of the Art Industry"
A cool article with mention of Richard Florida.
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Robert Reich argues that in terms of economic recovery, there's no going back to our old ways. Richard Florida suggests that a recession is the perfect time to reset current strategies. Paul Romer declared, "a crisis is a terrible this to waste." It's now clear that in order to survive, arts orgs will need to embrace new models of fundraising and art-making. Our question: in what ways might the North American theatre use the current economic crisis as an opportunity for a kind of "reset?"
"And this is where the problem gets really interesting. There are some aspects of the art industry that simply don't allow for major productivity improvements-for example, only four people make up a string quartet. So productivity in the arts, in some ways, is still at levels it was at two hundred years ago. There are a few different theories about this-with names like disease-cost and superstar. But the truth of the matter is that only a few artists are paid highly for their wok, and the rest are not because they are willing to work without getting paid. Artists love their work, and money is not the reason they work, so savvy dealers, managers, and consumers who realize the true value of art for the artists can often take advantage and pay a lower price.
ReplyDeleteAt the conclusion of the discussion, the issue was still confused, however many ideas to improve education/support or find other constructions of the art industry like amateur artists rather than
professionals, intrigued the audience. " Kensok